Sound Design: During workshops with Jo and myself, Claire helped to gather sound effects with Jo for my piece. This included the falling drum mix, and the scraping cymbal. These two sounds were essential to my film, and the help in gathering the sounds were important.
Outside of the workshops, Claire gathered the drum sound effects for my film, using her boyfriend Andrew Bannister's drum kit. She also collected a variety of drum rhythms for me to pick and animate to. The final piece I chose was a drum rhythm she played herself!
The sound work that Claire did was vital to the final film. Without the drum sounds she gathered, I could have been stuck with free sound clips that would have spoilt the sound of my film. Thankfully, the real drum sounds add an extra layer of depth to the piece, and I am incredibly happy with the work she did.
Ink and Clean Up: Claire volunteered to ink my frames and rub out the pencil lines beneath. Not a popular or exciting task, but one that needed to be done, which again, I am very grateful for. She did a brilliant job of keeping the guinea pig's form, and the lines came out clear in Shake.
Ink and Clean Up: Claire volunteered to ink my frames and rub out the pencil lines beneath. Not a popular or exciting task, but one that needed to be done, which again, I am very grateful for. She did a brilliant job of keeping the guinea pig's form, and the lines came out clear in Shake.
Above is an example of Claire's work.
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